Sticking It To the Man at 30

My parents wanted to do something other than just take me out for brunch for my birthday this year (because I’m turning 30) and I suggested we go see School of Rock. I’ve been slow on my show-seeing this season and my mom agreed that it was a good idea. We sat in the second row on the left side last Saturday and I was looking forward to it. The movie was meant to be turned into a musical and Andrew Lloyd Webber knows how to write a good score. At the very least, it was bound to be good.

I was disappointed that Alex Brightman (Dewey) was out but seeing how his standby Jonathan Wagner looked exactly like him, I knew I probably wasn’t going to mind (after all, I had nothing to compare him to). Sierra Boggess was in though, so there was that.

The pre-show announcement is made by Webber himself and states that yes, all the kids are playing their own instruments. Good to know because I found myself wondering that as they shredded through the score! Holy shit, those kids are talented. 

The score is great and it follows the movie almost to a T. Everyone in the cast is very talented and I walked away humming the score (which usually never happens). The staging and sets were great and the choreography was effective. Jonathan Wagner also didn’t disappoint. My 30-year-old ass definitely walked away singing “Stick It To The Man.” 

If you like the source material (ie. the movie) and musical theatre, get yourself over to the Winter Garden Theatre immediately. School of Rock won’t let you down if you’re looking for a good time. 

In here life is beautiful.

My dude bff, Ben, turns 30 today and since I a out of the city, I surprised him with tickets to see Emma Stone (one of his long time actress crushes) in Cabaret on Thursday. I was a bit nervous that she would be out since she was out on Sunday but luckily she was in that night. We sat the bar stools in the orchestra – pretty much the same seats that I sat in when I first saw the show in 2000. Great seats – barely any obstruction (though admittedly there is a little).

I could hear a bit of sickness in Emma’s voice that night but she was really solid, fantastic even. She’s gotten more into the character since I saw her in her first week. She’s a great dancer too. Alan Cumming was on fire, as usual, and Linda Emond and Danny Burstein were incredible too. I adore them both.

Emma Stone is a great asset to this production and I only wish she were staying at the rest of the run. Ben was even more in love with her afterward.

Emma is in Cabaret through early February. Catch her while you can.