Despite my better judgment, I went to see Significant Other, the new play by Joshua Harmon that recently transferred to Broadway from Roundabout, this past Sunday with my significant other, my best guy friend, and his significant other. I saw this shortly after I met J in 2015 while it was off-Broadway and it hit me hard in the emotions. I walked out of the Laura Pels thinking Gideon’s character surely killed himself after the lights went down. And to be honest, I kind of wanted to kill myself after the lights went down on Sunday afternoon, regardless of my relationship status. My friends concurred.
I want to start by saying that Gideon Glick is brilliant as the protagonist Jordan, a late twenty-somethings city-dweller. He gives a flawless performance of an extremely flawed character. He has genius comedic timing and I was exhausted watching him exert himself onstage for two and a half hours(ish). I would watch this guy read the phone book because he could make it entertaining. He has monologues that are pages long but he makes it look effortless.
Sas Goldman, who plays the first bride of the night Kiki, reminded me in a weird way of Tracee Chimo in Bachelorette. But in a totally good, weird way. Lindsay Mendez plays a wonderful best friend to Jordan, Laura, who gets caught up in wedding madness when she finally gets engaged. She was able to be strong even when hurt by Jordan’s page and a half tirade on the evening of her bachelorette party. And, last but not least, Rebecca Naomi Jones is the hilariously dark Vanessa who gives no fucks about anything until the day of her wedding.
The men in this show are not at all the focus. Hence why two actors play all six male characters (in addition to Jordan). John Behlman and Luke Smith both do a lovely job playing the various boyfriends and husbands and coworkers of the four main characters.
Because of its incredibly depressing tone, and it’s suicide-inducing ending, I’m not sure it’ll find it’s audience on Broadway, but I know that a lot (most) people could probably relate to Jordan’s feeling of being alone and feeling hopeless. There are lots of parts to make you laugh, and many to also make you feel all the feels. Like any good play should.
I’ve been reading a lot about how the theatre community thinks Alice Ripley is wasting her talents in her small roles in American Psycho. They’re pissed that her roles are barely-there and I have to say they’re pretty much unnecessary. The show would be the same whether or not Patrick Bateman’s mom showed up.
Ripley was last on Broadway in Next to Normal where she famously and award-winningly got to have mental breakdowns onstage every night. Rumor has it that she also blew her voice out pretty hard with the score. Whatever the case may be, American Psycho is her first return to a Broadway stage and people are pissed. They’re even going as far to say that she must be furious with how small her role is.
To the fans who don’t know how the industry works, let me just tell you: she didn’t take the part without reading the script first. No one tricked her into a small role. If she has an agent worth his or her salt, he/she negotiated a really good deal for her, what, with being a Broadway veteran and a Tony Award winner. That counts for something.
Equity weekly minimum is around $1,475 (I think) and with her credentials I’d bet she’s making at least $2,500 every week. You could offer me $2,500 every week for a small-ish role in a Broadway show and I’d sure as hell take it. I’m pretty sure most people would.
As the theatre crowd erupts in self-righteous anger over this I’d like to remind them that Ripley is a person and has bills to pay, too. And if she can still pay those bills while working on Broadway, who is anyone to tell her what role is beneath her? Oh, right: not you. Or me. Or anyone but herself.
Am I the only person who didn’t know she had officially ‘left the industry’? I just thought she was doing other things – or I just didn’t really think about where she was at all.
It was an interesting read and good for her for making that choice and relocating. Although she is awesomely talented, there are probably 150 other girls out there who are just as talented and waiting to take her spot so to say we “lost” a star is a bad way of looking at it. She gave another star out there a chance to shine, one who’d really appreciate it. At least for the time being!
The Broadway Star Who Got Away