My Desert Island All-Time Top Five Break-Ups

I’ve had a couple of shows that I’ve absolutely loved that have crashed and burned so quickly on Broadway that it would make your head spin. High Fidelity was one of them. And when a concert of the aforementioned beloved musical is taking place, you buy tickets. (Even if it’s happening at the excessively overpriced 54 Below, you still go.)

Kristen and I both have an unrelenting love for HiFi so we were beaming and our work days could not go by quickly enough.  We grabbed a leisurely dinner at Glass House Tavern and then went over to 54 Below to claim our seats at the bar. It was like a reunion of friends, old and new. I saw so many people that I hadn’t seen in – literally – years. I saw assorted cast members of Bring It On (and one from American Idiot – Van Hughes) at the bar and then realized that they’d be singing back up for the ensemble numbers.

Will Chase took the stage and it started.

I can’t describe how excited, elated, happy, energetic, etc. I was to see this happening in front of me. I mouthed the words. I danced. I think at one point during Desert Island, Taylor Louderman saw me and waved (though I have no idea why because I don’t know her – maybe she was applauding my enthusiasm?). I couldn’t have been any happier. 

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Will Chase still killed the score. Ana Gasteyer ripped up She Goes. Adam Chandler Berat was a spirited and PERFECT choice for Dick, and Mitch Jarvis was highly entertaining as Barry. When Van Hughes took the stage to sing a few songs as Rob, it was like watching “High Fidelity Jr.” but he was great! Jenn Collella and Amanda Green sang ‘Ready to Settle’ together, which was lovely. Mario Cantone as “The Boss” singing ‘Goodbye and Good Luck" with Will was amazing. David Larsen, Corey Mach, Jon Rua, Janet Krupin, Corey March, Ryann Redmond, and Taylor Louderman were fantastic as the ensemble.

Simply put: the concert was jaw-droppingly amazing. I would pay $35 + $25 food minimum once a month to see that happening in front of my eyes.

We said hello and goodbye to some friends and then went to say hello the star of the night (sort of?) Will Chase. I know Will from years ago, doing lots of benefits with him, and being a fan in general. But I hadn’t seen him for years. I think I ran into him on the street once a year or two ago, before Smash had ever premiered. 

We had a joyous reunion. So joyous that Kristen felt the need to capture it in film.

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When I joked saying that watching Van was like watching ‘High Fidelity Jr.’ he replied, “No it’s not! He’s the right age. I’m too old for this part!” Hah. We took pictures for old time’s sake. It was fun. I look like incredibly dorky in mine.

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We told him we’d see him soon, said goodbye to the last of our friends, and then walked down 8th avenue to the train.

To say it was the best night ever might be only a bit of an exaggeration. 

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Last week I was invited to see a preview of the new musical by Amanda Green and Trey Anastasio (and the brilliant Doug Wright with the book), Hands on a Hardbody. The story is based on the true events that took place in a small down-on-their-luck town in Texas and the ten Texans who try to win a brand new pick-up truck. Whoever takes their hand off the truck last wins all.

The music is, as expected, very country, but also lovely to listen to. The staging, by Sergio Trejullio, around the beautiful center piece (a true-to-lifesized truck) flowed with ease.

The best part, in my opinion, was the cast. Filled with seasoned actors, like Allison Case, Jay Armstrong Johnson, Hunter Foster, and Davis Larsen, it was a true treat to watch them all perform onstage together. 

Neil Pepe also did an excellent job directing this new musical and made sure everything flowed seamlessly as the car turned. Though part of me wonders what it would be like to see this piece in the Circle in the Square Theatre, or any space that’s in the round. 

In any case, Hands on a Hardbody is a new musical that is full of life and hope, much like their main characters. 

Thank you to Serino Coyne for inviting me to see the show!

Last night, Birdland hosted “Amanda Green & Friends” – an evening with Ms. Green and her music sung by some of her friends. I’ve been a fan of Green’s since High Fidelity – one of my favorite scores ever. 

Currently Green is working on “Hands on a Hardbody” with Phish’s Trey Anastasio. The genre of music isn’t so much my style (it’s semi-country) but it was really neat to see Anastasio sing (and play!) his own song as the finale. Above from left to right is the fabulous Jen Colella, Jay Armstrong, Amanda Green, and Trey Anastasio.

Check out my YouTube channel for a few videos shot on my iPhone.