My TONYs Post-Mortem

I ended up at a long-time friend’s apartment last night with some other similarly individuals to view The Tonys. Overall, I’d say this year’s was pretty boring. Kevin Spacey did an excellent job as host – he has a great voice. The opening number meant well but it felt really choppy and slow.

Groundhog Day picked the WRONG number to perform. I’m assuming they just needed something with the entire cast that wouldn’t cost too much to stage, but wow, they picked an awful number. It was so boring. I think it sold zero tickets, so that was a waste of $500k on the part of the producers. On the other hand, Dear Evan Hansen and Natasha, Pierre, and the Great Comet of 1812 did fantastic numbers. It was really moving to see Ben Platt perform, and although his voice was a little shaky to start, he nailed the high notes in the latter part of the song. He deserved his TONY Award. Lastly though, the Hello, Dolly! performance? What was that?! I went to refill my drink at that point.

Somebody should’ve gotten a hook and pulled Bette Midler off that stage because goddamn. Snooze. And did Sutton Foster wake up from a nap right before walking onstage? She needed a blowout.

Best Costume Design of a Musical should definitely have gone to Great Comet. I have no idea what the voters were thinking with Hello, Dolly!. I mean, really?

Christopher Ashley (Come From Away) definitely deserved the Best Direction award. The direction is stellar. They were on point when they voted for The Great Comet for Best Scenic Design, because, COME ON. Have you seen the inside of the Imperial Theatre lately?

I really wanted Jen Colella to win Best Featured Actress, but I hear Rachel Bay Jones is excellent, so congrats to her. I was also very excited for Laurie Metcalf and her win. She deserved it.

Another year down. I can’t wait to see what the next season has in store!

The full list is here.

 

Taking Her Tony Home

This article, about Jessie Mueller, was really adorable. I highly suggest you read it. I’m sure she was totally excited to do this interview this morning after partying all night at the Carlyle 😉

The top moments from last night:

  1. A Gentleman’s Guide winning Best Musical. Obviously. (Full disclosure: my current office of employment works on the show so we were all incredibly happy.)
  2. Hedwig’s performance. it was the best (GGLAM following a close second!). Hedwig is going to be sold out for their entire run soon. Mark my words.
  3. Lena & NPH winning their much deserved awards.
  4. Bryan Cranston and All the Way winning. Love that show. 
  5. Jessie Mueller’s acceptance speech. She was so sincere. 

Let’s see, last night’s WTF moments were as follows:

  1. The Wicked performance. That was the best they could do? Come on. Idina Menzel was in the house – throw her $10k to perform Defying Gravity. She’s a single mom now, so she could probably use the extra money, right? (No, I’m just being an asshole and I’m completely kidding. I think she makes upwards of $20k/week for If/Then, she’s fine.) This performance was a waste of time and a dishonor to a show that’s been on Broadway and selling out for 10 years. 
  2. The Music Man rapping. WHAT WAS THIS? Everyone at the party was speechless. We had no idea what was going on. 
  3. Nikki James in Les Miserables. Jesus christ. When is she scheduled to go on vacation because I cannot sit through a production of Les Miserables for three hours where Eponine sounds like a, and I quote, bag of dying babies. Miscast, indeed.  
  4. Celia Keenan-Bolger and The Glass Menagerie losing. WHAT? This was not supposed to happen. Wires got crossed somewhere.
  5. The opening number. Look, I get it, I read online today why Hugh Jackman was hopping, but even if I’d gotten the reference when I was watching it, it was still incredibly boring. It was one of the most lackluster openings in a while.

It wasn’t the best Tony’s, but it had it’s moments. I was exhausted and made my way home around midnight. It’s always worth the exhaustion. 

Taking Her Tony Home