Someone posted this recently and I was super intrigued. I would think that there are probably other writers out there who have done this but the only one that I’ve read that comes to mind is Emily Giffin. Giffin’s characters are somewhat related in three of her books, but how Ellis put characters from one book into another who supposedly were killed by Bateman in American Psycho is super cool. It actually made me want to read all of his books. But.
I’m currently reading American Psycho…. and it’s a painful read. Bateman and his friend’s shallow materialism and his need to identify where every last item on his person came from is dreadful. I’ve been reading it for a couple of weeks now and I’m only 160 pages in (out of 400-ish). I’m starting to lose hope that I’ll finish it. But I think I have to. i know that I’m not required to finish every book I start but I like to. We’ll see what happens.
In other news: American Psycho the musical is getting pretty good reviews from regular people. I know it’s going to be a super polarizing show (not every one will like a musical about a banker who’s going insane and killing his friends) but I read that the first look you get in the show is amazing and so far everything is impressive. Currently it’s super long (just under 3 hours) but I’m sure they’ll cut it down a bunch before April 5th.
Has anyone else read American Psycho?
This Is How All The Bret Easton Ellis Novels Fit Together
Last Tuesday I was invited to see Misery, the new stage adaptation of the film by the same name, starring Bruce Willis and Laurie Metcalf. I’ve seen Laurie Metcalf onstage a couple of times and she’s always great. I wasn’t sure about Bruce though. Could he really act? No one could be sure.
For those who aren’t familiar with the film: it’s about a writer who’s “saved” from a car accident in a remote town in the mountains by the person who claims to be his number one fan. She doesn’t like the ending to his latest “Misery” book and demands he writes another book and she’s not letting him go until he does.
There are great prosthetics and excellent lighting and helpful scoring playing in the background. It never becomes quite as thrilling or scary as I assume the film does, but it does the trick.
Metcalf is perfect and carries the show, as I’m told her character does in the movie too, and Willis does his damnedest with the material he’s given (which is not much as he is in a bed or wheel chair most of the time, but he has his moments). Leon Addison Brown plays the cop who comes by from time to time to ask if Metcalf has seen anything and he did his job well.
Misery is one play that will make you far from miserable.
I saw this on Facebook today and it made me so sad. RIP, Wes Craven.
I remember seeing him in conversation with a journalist from the New York Times about six months before Scream 4 was released. My friend and I met him very briefly after and I have a photo of him and Neve Campbell on the set of Scream that’s signed by him in my apartment now.
I remember watching Scream with my best friend and her older sister when it came out on video (!) in 1997. I was 11 and we thought we should watch it in the dark. By the end of the first scene (RIP Drew Barrymore), we thought it was a good idea to turn the lights back on. I own all 3 Scream movies and I’ve watched them more than is probably normal. I remember sneaking into seeing Scream 3 three times.
I’m watching the Scream trilogy this weekend with my dude in Wes’ honor (Scream 4 was a mistake). In case you’re looking for other Wes Craven movies on Netflix, you can find a list here.