I saw Fun Home towards the end of it’s run at the Public back in December 2013. I really liked it but it was dark as fuck. I finally made it around to see the transfer to Broadway last night, courtesy of The League. I never really thought the transfer was a good idea, but apparently some people did.
After seeing the transfer last night, I think I liked the full 2.5-hour version at the Public more (shocker, I know). The transfer feels semi-gutted. It felt more like a play with music than a musical, to be honest, and I wasn’t a big fan of the score. The score doesn’t do much to drive the plot along. The cast though is phenomenal all around and Cerveris definitely deserved his Tony Award.
That said, even though I didn’t go head-over-heels for it, I still think it’s an important piece of theatre. Kudos to all involved.
As long as I’m still under 35, I’m going to take advantage of HipTix as I did a couple of weekends ago when I saw a preview of Violet at Roundabout’s American Airlines Theatre. I’d worked on a production of the show during my junior year of college and I loved the music and the show, despite it’s heaviness in religion. I’d really wanted to catch the weekend-only workshop at Encore’s last year but I was thrilled when Roundabout announced it as part of their season.
The star of Violet is really Joshua Henry as Flick. He brings down the house every time he opens his mouth and you almost forget that Sutton Foster is even in the cast. That’s not to say that Foster isn’t great – she is, as she always is, but Henry just steals the show. Colin Donnell was also pretty great as Flick’s partner-in-crime, Monty.
Violet is simple, not flashy, and beautifully sung by a top-notch cast. Good job, Roundabout.