Hamilton Prediction

I stopped reading the Hamilton cancellation thread on BroadwayWorld after I was able to buy tickets the last time they went on sale. The waits had gotten to 3+ days and there’s no show worth losing that much time over. So: no. I was wasting far too much time reading about teenagers “choose to be homeless” to obtain tickets to a show. 

But last night, I was curious as to how the waits were now that 3 of the principal cast members (including the writer) were gone and I was shocked – sort of – to see that you could now, apparently, get in line the day-of at 6am and get tickets for the show that night. 

I’m starting to think that Lin-Manuel Miranda, lyrical genius as he may be, let Hamilton be more about him – as Lin-Manuel – than about Alexander Hamilton and that Hamilton, the show, without him won’t last anywhere near as long as we all thought – Decades? Centuries?! 

I think the market will soon be saturated. Everyone who has the means to see Hamilton on Broadway soon will have done so and ticket demand, as well as ticket prices, will start to go away. I mean, it’s already been filmed for mass consumption. The tour is starting soon, too (and it has a pretty bomb cast). 

I’m going to place my bets on Hamilton running a good 5 years. This is a fantastic run for any show on Broadway, including Hamilton (and they’ve also already recouped, so fuck it, right?). 

We will see, I suppose. 

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My Annual TONY Award Picks

I saw a lot of good theatre this season. Much more than I thought possible. And tonight the Hamilton Tony Awards are on. I saw a lot but I didn’t see everything. I’ll go ahead and say who I think should win and I’ll signify the shows I haven’t seen with a ^. Sound good? Good. 

Best Play – Honestly I have no idea what will win. i only saw two of these and the other two I wasn’t blown away buy. I thought Eclipsed was super powerful though. 

Eclipsed 

The Father^

The Humans

King Charles III^

Best Musical – Obviously Hamilton will win. It would be a huge upset if, say, School of Rock or Waitress won and I’d be 100% okay with that, but yeah, let’s move on. I would say I’m ashamed that I’ve only seen two of the nominated Best Musical nominees, but I’m not. I was very unmotivated to see Bright Star, had no interest in seeing Shuffle Along, and Hamilton was impossible to get tickets to. 

Bright Star^

Hamilton^

School of Rock – The Musical

Shuffle Along…. ^

Waitress

Best Revival of a Play – The only nominee I didn’t see was A View From the Bridge and I always miss that whenever it’s revived, but whatever. I think it will end up being The Crucible and I think that’s just fine. Long Day’s Journey could get it because of Jessica Lange though. Who knows. 

Arthur Miller’s The Crucible

Arthur Miller’s A View from the Bridge^

Blackbird

Long Day’s Journey Into Night

Noises Off

Best Revival of a Musical – This is a total toss up between The Color Purple and Fiddler on the Roof for me. The last incarnations of both productions were just so bad that these were so great by comparison. Spring Awakening was creative but not necessarily worthy of an award. I haven’t seen She Loves Me (yet, going in July) and I hear it’s great, so who knows. I think I’d lovvvvve for Fiddler to get it though. #JewPride

The Color Purple

Fiddler on the Roof

She Loves Me^

Spring Awakening

Best Book of a Musical – Hamilton has no book and since there are only four producers behind Hamilton, hopefully they won’t be able to vote their own way on this one. I can see Bright Star running away with this one (though I haven’t seen it).

Bright Star^

Hamilton^

School of Rock – The Musical

Shuffle Along….^

Best Original Score (Music and/or Lyrics) Written for the Theatre – I’m, like, 110% sure this going to Hamilton but maybe some voters have a soft spot for Steve Martin, Sarah Bareilles, or Andrew Lloyd Webber. 

Bright Star^

Hamilton^

School of Rock-The Musical

Waitress

Best Performance by an Actor in a Leading Role in a Play – I haven’t seen The Father but I have a hunch it’s going to Frank Langella. If not him, I think definitely Gabriel Byrne. 

Gabriel Byrne, Long Day’s Journey Into Night
Jeff Daniels, Blackbird
Frank Langella, The Father^ 
Tim Pigott-Smith, King Charles III^ 
Mark Strong, Arthur Miller’s A View from the Bridge^

Best Performance by an Actress in a Leading Role in a Play – I think Jessica Lange has this one locked in, but I could see Lupita Nyong’o or Sophie Okonedo stealing it and upsetting a whole lot of people. 

Jessica Lange, Long Day’s Journey Into Night
Laurie Metcalf, Misery
Lupita Nyong’o, Eclipsed
Sophie Okonedo, Arthur Miller’s The Crucible
Michelle Williams, Blackbird

Best Performance by an Actor in a Leading Role in a Musical – I think this should definitely go to Danny Burstein, but I’m pretty sure Lin-Manuel or Leslie will take this. 

Alex Brightman, School of Rock-The Musical
Danny Burstein, Fiddler on the Roof
Zachary Levi, She Loves Me^ 
Lin-Manuel Miranda, Hamilton^ 
Leslie Odom, Jr., Hamilton^

Best Performance by an Actress in a Leading Role in a Musical – I hear Laura Benanti is amazing in She Loves Me, but if anyone but Cynthia Erivo takes this award home, I’ll burning down Times Square.

Laura Benanti, She Loves Me^ 
Carmen Cusack, Bright Star^ 
Cynthia Erivo, The Color Purple
Jessie Mueller, Waitress
Phillipa Soo, Hamilton^

Best Performance by an Actor in a Featured Role in a Play – I hear Reed Birney is locked in and although I didn’t love The Humans off-Broadway, I thought it was really great, as always. 

Reed Birney, The Humans
Bill Camp, Arthur Miller’s The Crucible
David Furr, Noises Off
Richard Goulding, King Charles III^ 
Michael Shannon, Long Day’s Journey Into Night

Best Performance by an Actress in a Featured Role in a Play – I’d love to see Saycon Sengbloh take this but I think Andrea Martin probably will.

Pascale Armand, Eclipsed
Megan Hilty, Noises Off
Jayne Houdyshell, The Humans
Andrea Martin, Noises Off
Saycon Sengbloh, Eclipsed

Best Performance by an Actor in a Featured Role in a Musical – I’m pretty sure it’s going to be someone from Hamilton, but Christopher Fitzgerald just totally stole every seen in Waitress. 

Daveed Diggs, Hamilton^ 
Brandon Victor Dixon, Shuffle Along…^
Christopher Fitzgerald, Waitress^ 
Jonathan Groff, Hamilton^ 
Christopher Jackson, Hamilton^

Best Performance by an Actress in a Featured Role in a Musical – I’d love it if Danielle Brooks took this home because she’s a powerhouse, but I think it’ll go to Renee Elise Goldsberry. 

Danielle Brooks, The Color Purple
Renée Elise Goldsberry, Hamilton^ 
Jane Krakowski, She Loves Me^ 
Jennifer Simard, Disaster!^ 
Adrienne Warren, Shuffle Along…^

Best Scenic Design of a Play – I don’t remember Therese Raquin or The Humans having an amazing set, so it will be A View From the Bridge. 

Beowulf Boritt, Thérèse Raquin
Christopher Oram, Hughie^ 
Jan Versweyveld, Arthur Miller’s A View from the Bridge^ 
David Zinn, The Humans

Best Scenic Design of a Musical – Give this one to American Psycho. I know it will probably go to Hamilton because we all now pray at the holy grail of Hamilton, but seriously, that set looks like a wooden version of Taboo’s set, or Rent’s set. 

Es Devlin & Finn Ross, American Psycho
David Korins, Hamilton^ 
Santo Loquasto, Shuffle Along…^
David Rockwell, She Loves Me^

Best Costume Design of a Play – I think Noises Off could get this. The set was really well designed and versatile. 

Jane Greenwood, Long Day’s Journey Into Night
Michael Krass, Noises Off
Clint Ramos, Eclipsed
Tom Scutt, King Charles III^

Best Costume Design of a Musical – I see Hamilton taking this even though they’re just re-purposing Felicity’s wardrobe from the American Girl Dolls collection. But whatever.

Gregg Barnes, Tuck Everlasting
Jeff Mahshie, She Loves Me^ 
Ann Roth, Shuffle Along^
Paul Tazewell, Hamilton^

Best Lighting Design of a Play – The lighting was ace for Long Day’s Journey and The Crucible. I hope Crucible takes it.

Natasha Katz, Long Day’s Journey Into Night
Justin Townsend, The Humans
Jan Versweyveld, Arthur Miller’s The Crucible
Jan Versweyveld, Arthur Miller’s A View from the Bridge^

Best Lighting Design of a Musical – Seriously, again, give it to American Psycho. That’s all I ask of you. 

Howell Binkley, Hamilton^ 
Jules Fisher & Peggy Eisenhauer, Shuffle Along…^
Ben Stanton, Spring Awakening
Justin Townsend, American Psycho

Best Direction of a Play – Please give this one to Jonathan Kent just because Long Day’s Journey is such a beast. 

Rupert Goold, King Charles III^ 
Jonathan Kent, Long Day’s Journey Into Night
Joe Mantello, The Humans
Liesl Tommy, Eclipsed
Ivo Van Hove, Arthur Miller’s A View from the Bridge^

Best Direction of a Musical – Michael Arden definitely deserves it for his originality but it’ll go to Hamilton.

Michael Arden, Spring Awakening
John Doyle, The Color Purple
Scott Ellis, She Loves Me^ 
Thomas Kail, Hamilton^
George C. Wolfe, Shuffle Along….^

Best Choreography – I would love to see Fiddler take this home, but Hamilton will get it. 

Andy Blankenbuehler, Hamilton^ 
Savion Glover, Shuffle Along…^
Hofesh Shechter, Fiddler on the Roof
Randy Skinner, Dames at Sea^ 
Sergio Trujillo, On Your Feet! The Story of Emilio and Gloria Estefan^

Best Orchestrations – Hamilton will definitely take this.

August Eriksmoen, Bright Star^ 
Larry Hochman, She Loves Me^ 
Alex Lacamoire, Hamilton^ 
Daryl Waters, Shuffle Along…^

So, overall, there was a lot I didn’t see, but it was because some of this season didn’t seem all that appealing. Maybe some of the performances tonight will change my mind. I remember how unbelievably boring the 2002 and 2003 Tony Awards were when The Producers and Hairspray took most of the awards in each of their years and those years are always the worst.

Hopefully the Tony voters did the right thing and voted for what was best, not what’s most popular. Happy watching!

Hamilton X’ion Line

Today, June 1st, was the day that @endotique and I were going to brave the cancellation line at Hamilton. She saw it in December and offered me one of her tickets, if she got in, but I felt bad because she had gotten there at 6am and I had been lazy, so I declined out of principal. Now I sure as fuck wish I’d said yes, but that is neither here nor there. Both of our significant others wanted to see it now, as well as myself, so we planned to grit our teeth and do the line. 

These plans were obviously canceled as we are both showered and at our jobs today and not dirty from having slept on the sidewalk last night. (Take my word for it.)

We kept track of the cancellation line thread on BroadwayWorld over time and as the date approached, we grew more apprehensive of attempting this. Was it really worth it? She’d said it was a really, really solid show. Like more solid than anything she’d seen in years. I’ve only heard the score and I thought it was super catchy. But was it worth a 24+ hour wait on the sidewalk? We questioned that. Hard.

We are seasoned at waiting in lines for tickets. In fact, it’s how we met. We met waiting on line for 10+ hours for front row seats to the final performance of Lennon (total Broadway hit!). That was different – it was the last show, the tickets were $25, and they were guaranteed. 

Anyway, the Hamilton cancellation line is a total shitshow. Line sitters, new rules from the theatre intended to cut down on line sitters which really don’t, animosity from other insane people on the line, and enduring this massive load of bullshit doesn’t even guarantee you tickets. People are lining up two days ahead of showtime. 

I’m sorry to break it to everyone but there is no show on earth, ever, that is worth living on the street for two or three days. I understand college students oftentimes have nothing to do for days on end during the summer, but come on. Get an internship or a job. Do something productive. Then you can afford tickets when more go on sale. And then there are all the out-of-towners asking if it’s “safe in Times Square overnight for a woman.” Apparently these people don’t know that Rudy Guiliani happened in the 90′s. 

I somehow missed the signal that more Hamilton tickets were going on sale when they released the last block, but I won’t next time. Sure, some of the original cast will be gone but I will never have seen them so I won’t know the difference.

This is just a word to the people considering this: don’t do it. You’re smarter than this. There are lots of other fantastic shows out this season – The Color Purple, or Fiddler on the Roof, for example. Go see those instead. Go see anything else because no show is worth a 48-72 hour wait on the street and if you think otherwise, please consult a neurologist ASAP. 

Lazy

You know how I stopped working in theatre a year and a half ago? (Maybe longer? I’ve lost track.) Well, I sure don’t miss it (save for the free tickets) but my theatre-going has slowed a bit. Oftentimes afterwork, I’m just all, “I just want to go home,” or, “I’m just going to go to yoga.” Trying to get a super cheap back-of-the-theatre or rush ticket just doesn’t sound appealing. 

I know, I’m so whiny – I’d have to take the train 3 stops, then get off and check, and then possibly get back on. The horror. I guess, technically, I also want to hang out with my cat while she’s still getting used to living with me. (Secretly I think she counts down the minutes until I leave in the morning but I could be wrong.)

But I’m slowly rectifying that. I purchased a ticket yesterday for Saturday’s matinee to Tuck Everlasting for starters. I really think it sounds 100% boring, but it has a great cast and it was the only show that had a Saturday matinee on TDF, so why not. 

Secondly, while I contemplated going to see a show last night, specifically Waitress (because @endotique says it was great), I decided against it and bought a ticket for May 18th instead. Afterwards I picked up tickets for an irreverent musical for J’s birthday in a couple of weeks. I’m not saying what it is here incase he reads here, but he’ll love it. 

What else do I need to see? Blackbird, Bright Star, Fiddler on the Roof, possibly Fully Committed, Long Day’s Journey Into Night (amazing cast), The Father (why not?), She Loves Me, The Color Purple (I’d have no interest after seeing the original production but I hear this one is fantastic), The Crucible (I’ve never seen it live and who doesn’t love a 3-hour play about McCarthyism?) and, oh yes, Hamilton. I guess. (I’ll do the cancellation line sooner or later before Lin leaves.)

I’m pretty sure that’s about it. Ten shows. It’s a play-heavy list, that’s for sure. I want to see American Psycho again soon but hopefully that’ll be around for a little while.

Writing it out in a list like that makes it not seem so insurmountable. One show every week? Every two weeks? Done in no time. Except for Hamilton. I’ll have to take a Monday or Tuesday off from work to sit in the cancellation line to get tickets for my dude and I to that fucker. Goddamn you, Lin-Manuel. 

‘Hamilton’ hiring practices under fire due to discrimination

This has been the hot topic this week in the theatre world (you know, aside from how much blood is currently being used in American Psycho). My boyfriend found this link and sent it to me and immediately I shook my head.

This is simply poor wording on the part of (Bernie) Telsey & Co. Someone pointed out that Bright Star wrote “all roles are Caucasian” in their casting announcement but they weren’t receiving any flak (that show is also not the mega-hit that Hamilton so it’s not under the same microscope).

The difference is, I think, that Hamilton’s casting notice was exclusive of a huge group of people, while Bright Star’s announcement wasn’t telling any “NON-[Insert Ethnicity]” to audition. Bright Star was simply stating a fact: their cast is white, but feel free to waste your (and our) time and audition if you want to. 

Can I just point out that if you’re an actor auditioning for Hamilton and you’re white and you don’t already know that you’re not going to be cast as any of the leads, you’re doing your job [of staying knowledgable about the industry] poorly. Sierra Boggess isn’t trying to audition for The Lion King because she knows better. 

While it was in poor taste of Telsey & Co. to write a casting notice so horribly worded, I think the backlash they’re receiving is also due in part to White People looking for a reason, any reason, to play the victim and shout about how they’re being discriminated against when, obviously, they’re not. At all. It’s like when Christians scream about the War on Christianity. It’s not an actual thing.

Maybe White People can just accept the fact that not every show will need their talents, front and center, from now on. Otherwise, not that Bernie Telsey will actually read this, but I hope this “controversy” will make casting directors think about how they word future announcements.

‘Hamilton’ hiring practices under fire due to discrimination

I found out that The Drama Book Shop was having some hard times when I saw a clip on Facebook from a local news channel. The short story: a pipe burst destroying much of their ceiling and a whole lot of inventory. Lin-Manuel Miranda posted a video about it on Twitter and patrons rushed into the store to help by spending money. Their sales are up 50% and they’re hoping their insurance kicks in sooner rather than later.

I spent many days during my college years (and even before that while I was in high school) wandering the shelves looking for plays for classes and to read on my own. I used to buy a few dozen plays there every summer, coming back once I had finished reading all my prior purchases. 

So, last Tuesday I wandered up 40th and 7th to pay homage to the store that was such a huge resource for me and I picked up a copy of Stephen Karam’s The Humans. I know I didn’t particularly fall head-over-heels in love with the show, but I think that’s because I probably missed a few subtleties. 

I wished the manager good luck with everything, said goodbye to the manager’s dog that sits on the counter, and was on my way.

If you’re in New York City, or are planning a visit soon, please stop by The Drama Book Shop and show your support. You can find out more information here. 

That’s me deep in conversation with world-famous playwright Henrik Ibsen outside his apartment in Oslo, Norway. And since I know you’re all (not) dying to know what I’m dying to see during the Broadway season that started (in September), here goes:

Hamilton: No, I haven’t run to see it yet. Lin-Manuel Miranda is fine and dandy, but I’m not a super-fan of his. I’ll see it at some point. It’s not going anywhere. I’m sure it’s great.

The Crucible: Classic Arthur Miller with Ciaran Hinds, Jim Norton, and Tavi Gevinson? Sigh me up.

Fool For Love: I love both Nina Arianda and Sam Rockwell so I’m THERE. I’ll be buying 30-under-30 tickets as soon as I can drag my lazy butt to the box office.

Long Day’s Journey Into Night: YES, YES, YES. I’ve never seen this staged professionally but I worked on it in college and it’s Eugene O’Neil and it’s great. And there’s John Gallagher Jr.! What’s not to be excited about?

Noises Off: Two words: Tracee Chimo. Enough said. Oh, and Rob McClure.

School of Rock: This could be a good adaptation or it could be awful. I hope it’s good. 

She Loves You: I’ve never seen this show or heard the score so I’m very interested. And the cast is great: Laura Benanti, Zachary Levi, Gavin Creel, etc?

Tuck Everlasting: I’ve never seen this movie but it has an awesome cast. Terrance Mann back on Broadway!

A View From the Bridge: More Arthur Miller! I missed the last production, so maybe I’ll actually make it to this one.

Waitress: So, four new musicals on Broadway this season? Sad.com. I’ve heard lots of hype but really, um, maybe? I’ve never seen the movie, but the plot sounds basic. Jessie Mueller is awesome, soo… maybe? I don’t have much of an opinion on this. But if I get a free or cheap ticket, I’d totally go. 

Hamilton & Hennessy

After the final performance of The Wild Party on Saturday night, a few friends and I headed over to Urbo on 42nd and 8th for a party celebrating Hamilton’s first week on Broadway, sponsored for Hennessy. There were fun drinks and fun people – and lots of dancing, oh, and a photobooth. 

The only person I asked to take a picture with was Jonathan Groff and when I asked him if my friend could take a photo, he said, “Oh here, I can take a selfie!” Below is the end result (and more photos after the jump!):

It was a fun night. 

Some cool theatre news…

Josh Radnor and Laura Benanti will star in the revival of She Loves Me. That’s exciting – they’re both great onstage! Hopefully Radnor can sing? 

Do you like The Last 5 Years? Of course you do. You’re not stupid. A couple of songs from the film version were released. Read about it here. Adam Kantor and Betsy Wolfe, who starred in The Last 5 Years at Second Stage, will reprise their roles in San Francisco for three nights. 

John Cameron Mitchell is starting this week in the title role in Hedwig and the Angry Inch. This is, by far, the most exciting to happen to Broadway since… well, it’s been a while. 

Lin-Manuel Miranda’s newest musical, Hamilton, started previews at The Public tonight. Apparently it’s amazing. I hope I can score tickets somehow. 

And Clinton the Musical is coming to the stage off-Broadway at New World Stages. I’m very excited for this one. Will it be amazing? Probably not. Will it be a helluva good time? I’m predicting YES. 

I think that’s it for tonight. 

I seriously loved Bring It On. I could totally see myself seeing it again. I’d heard positive things and I knew the choreography and stunts were going to be amazing, but I really had such a good time. This is the best example of really good Broadway pop out there. It’s just a really good time.

Taylor Louderman was fantastic as Campbell, as was Adrienne Warren as her arch nemesis-turned-friend Danielle. I found myself unexpectedly loving Ryann Redmond as the socially awkward mascot-turned-cheerleader Bridget. 

I love the way they took inspiration from the series of Bring It On movies and made an entertaining new plot line with a couple of unexpected plot twists. The technical aspects of the show (four large LCD screens, and what looks like about $100k worth of lighting around the stage and proscenium) really added to the show in the best of ways. 

Everyone on that stage is a triple threat, possibly quadruple – could cheerleading count as a 4th ‘threat’? The choreography (by Andy Blankenbuehler) and cheer leading stunts were absolutely breathtaking, to say the least. 

Your eyes won’t know where to look sometimes and your jaw will at times be dropped. You’ll definitely have a good time at the St. James this fall.