Drama School 101: Read the Fucking Play

I never made it to Shakespeare in the Park last year. I don’t know why but the entire season just flew by before I could decide whether or not to go line up one morning. And truth be told, their current (well, it’s closing tonight) production of Julius Caesar almost did, too. Julius Caesar isn’t one of my favorites and I didn’t think there was anyone in it of note. THEN the media on the right started kicking and screaming like the little snowflakes that they are and I was like, “OKAY, I’VE GOTTA SEE THIS.” I tried playing the lottery via TodayTix all week and finally had last night free and decided to take a little sign down to the Public and try to get a ticket.

When I asked where the stand-by line was, they said there wasn’t any because the show was sold out. So silly. There are always extra tickets. Anyways, there were already protesters there (protesting IN favor) when I arrive at 5:15pm and it only grew while I waited with my little sign (almost getting ticketed, multiple times, because apparently you’re not allowed to “solicit” in Central Park. Sorry, dudes, I just wanted a ticket, not soliciting for sex).  I read Imogen Lloyd-Webber’s, “The Intelligent Conversationalist” while I waited and watched the cops arrive as the counter protests (pro-Trump, anti-production) arrived – two old, white senior citizens – and the barricades went up. There was a blonde girl protesting in support of the production screaming her head off. I wanted to tell her to STFU because she was our side look bad because she looked like a lunatic, but I decided not to.

Around 7:10pm, a woman around my age was walking by when she saw my sign and said, “Oh, I think I might have an extra ticket. I don’t think my friend is coming, hold on.” And after she went to the box office, another guy came up to me and said he might have an extra one, as well. The woman came back first, and I gave my sign to another guy who was waiting around for a ticket (who I think was given the ticket that the second person who approached me had. Yay, teamwork). I grabbed a chicken wrap and a beer from the concession stand, watched some more of the protest, and then took my seat.

The audience was allowed onstage, to sign banners, and it was all pretty awesome. Then at 8:10, Oskar Eustis’ voice came on the PA system and told us about who was sponsoring the show, and added that despite his statement in the program, there was one line that was changed and we’d all know what it was when it came. AHHHH.

Continue reading “Drama School 101: Read the Fucking Play”

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