My Top 13 Theatre Moments (or Shows!) of 2012

I was going through my theatre-related posts of this year and I couldn’t pick just 10. Since this is my blog and I make the rules, I decided to do 13. 

1. Bring It On: I had my doubts and reservations about this musical, and maybe I’m a little biased after working on it for a few months, but I loved this show. It was visually stunning, fun, and not totally void of meaning. It had a good meaning overall: Life goes on after high school. I love this show, I’m sad it closed yesterday, and I will definitely miss it.

2. Merrily We Roll Along @ Encores: I went to the final performance and it was my first time having seen it – though I’d heard the music before. The cast was fantastic, as was the material. The atmosphere was also electric. Everyone was so excited to be there.

3. The Other Josh Cohen: This was just a gem of a show. I’m so glad I got to see it.

4. Who’s Afraid of Virginia Woolf? revival: I had reservations about this too, having seen the last revival with Kathleen Turner, but upon being offered a free ticket, who was I to turn it down? It ended up being pretty incredible. It was probably one of the best things to open on Broadway this fall.

5. Harvey @ Studio 54: A supposed allegory for homosexuality in the mid-20th century, Jim Parsons killed his roll and this show. Loved it.

6. The Bad and the Better (by The Amoralists): I love The Amoralists. This show was a complex story with many layers and a huge cast. It was pretty epic. I don’t know how they afforded to do it, but they definitely did.

7. James Corden in One Man, Two Guv’nors: I loved this play and I probably loved it because James Corden was so goddamn funny. He absolutely killed onstage. He deserved his TONY Award.

8. The Lyons: I saw this play off-Broadway and loved, and saw it twice more on Broadway. I loved it every single time. Probably because Linda Lavin reminded me of my late Jewish grandmother. And… Michael Esper.

9. Once’s Transfer to Broadway: I think the producers transfered this show well. Not much got lost in the bigger space in the Jacobs Theatre and the spirit of the show remained intact. I loved it off-Broadway and it made me cry (twice) on Broadway. I wasn’t sure whether transferring this show was the right thing to do, but I’m happy that they’re doing well ($1 million+/week).  

10. Tribes: This was an off-Broadway show not to be missed. It deserved every bit of praise it received. I loved it a lot possibly because the lead was hearing-impaired so it made it that much more believable, but who knows. It had a healthy run at The Barrow Group and is now going to LA. 

11. Carrie: A cult classic that only existed in bootleg form before MCC revived it. It was cheesy and the music wasn’t so stellar, and I wished there’d been more blood, but it was an experience to be had and seen. I’m definitely glad I paid $20 to sit in the second row. 

12. Jesus Christ Superstar‘s Resurrection: The revival in 2000 wasn’t so good – except for Tony Vincent, duh – but I loved, loved, loved this one, which transferred from the Stratford Theatre Festival. It felt like a digital update, but the incredible rock score was still the intact and the cast was incredible. I don’t care what anyone says, Josh Young was an incredible Judas. I saw this revival twice and my only regret is that I wished I’d seen it again!

13. Assistance: I was an assistant when I saw this so I definitely related. It was hysterical, vulgar, and exaggerated (though I’m sure it’s not so exaggerated for some people). The ending also wins for ‘most unrelated and random ending ever.’ Also: Michael Esper.

That’s my run-down for 2012. There were a dozen or more shows that I saw and didn’t write about (because I suck sometimes), but I’ll try to be better about writing about EVERYTHING in 2013. What were your top theatre moments in 2012? Happy new year!

When I was enrolled in the 14-week commercial producing intensive in 2010, I met my friend Lily, who was developing The Other Josh Cohen at the time and she let me listen to the demo, read the script, etc. I loved it; it had a lot of heart and was really funny.  I was ridiculously excited when she told me they were finally read to move into the Soho Playhouse downtown and begin previews.

I caught one of the final preview performances on Friday and it was still hilarious and heart-felt. The ensemble cast double as musicians and not annoyingly. Steve Rosen and David Rossmer star as the two Josh Cohen’s (and they also wrote show) and they work extremely well together onsage. Hannah Elless, Vadim Feichtner, Ken Triwush, and Kate Wetherhead round out the cast and play a number of roles fleshing out the story.

There are numerous Jewish jokes at the expense of the writers which everyone in attendance found entertaining, let’s be honest.  The music is well-written and catchy. The overall message of the show (we have control of our fate, among other things) is heart-warming. 

I may be biased, but I thoroughly enjoyed The Other Josh Cohen and I would bet that you will too if you decide to see it.