I’ve been reading a lot about how the theatre community thinks Alice Ripley is wasting her talents in her small roles in American Psycho. They’re pissed that her roles are barely-there and I have to say they’re pretty much unnecessary. The show would be the same whether or not Patrick Bateman’s mom showed up.
Ripley was last on Broadway in Next to Normal where she famously and award-winningly got to have mental breakdowns onstage every night. Rumor has it that she also blew her voice out pretty hard with the score. Whatever the case may be, American Psycho is her first return to a Broadway stage and people are pissed. They’re even going as far to say that she must be furious with how small her role is.
To the fans who don’t know how the industry works, let me just tell you: she didn’t take the part without reading the script first. No one tricked her into a small role. If she has an agent worth his or her salt, he/she negotiated a really good deal for her, what, with being a Broadway veteran and a Tony Award winner. That counts for something.
Equity weekly minimum is around $1,475 (I think) and with her credentials I’d bet she’s making at least $2,500 every week. You could offer me $2,500 every week for a small-ish role in a Broadway show and I’d sure as hell take it. I’m pretty sure most people would.
As the theatre crowd erupts in self-righteous anger over this I’d like to remind them that Ripley is a person and has bills to pay, too. And if she can still pay those bills while working on Broadway, who is anyone to tell her what role is beneath her? Oh, right: not you. Or me. Or anyone but herself.